This workshop provides the rare opportunity to work under the guidance of world famous artist Andrew Logan, creating eye-catching objets and dazzling jewellery that capture the vibrancy and spirit of Jaipur and India, using Andrew’s special resin techniques developed over the course of his long career. He is assisted by Sophie Knight.
Traveling into the bazaars of the Old City to source the materials; glass and mirror, beads, sequins, semi-precious stones, bright pigments and glitter. One can use ready made forms or have one’s own custom pieces cut in plywood in the market. You may bring items with you that you wish to incorporate into your work.
There will be instruction in both traditional and modern decorative techniques, including mosaic, gilding sculpting and in the preparation of some of the surface materials to be used such as papier-mâché and plaster.
Items you may consider making include jewellery, framed mirrors, picture frames, mobiles, 2D or 3D objets or recreating an image in sparkling materials.
This workshop provides the rare opportunity to work under the guidance of world famous artist Andrew Logan, creating eye-catching objets and dazzling jewellery that capture the vibrancy and spirit of Jaipur and India, using Andrew’s special resin techniques developed over the course of his long career. He is assisted by Sophie Knight.
Traveling into the bazaars of the Old City to source the materials; glass and mirror, beads, sequins, semi-precious stones, bright pigments and glitter. One can use ready made forms or have one’s own custom pieces cut in plywood in the market. You may bring items with you that you wish to incorporate into your work.
There will be instruction in both traditional and modern decorative techniques, including mosaic, gilding sculpting and in the preparation of some of the surface materials to be used such as papier-mâché and plaster.
Items you may consider making include jewellery, framed mirrors, picture frames, mobiles, 2D or 3D objets or recreating an image in sparkling materials.
